Emily Votaw is the Next Big Media and Music Personality of Athens

By Madeline Thomas

Emily Votaw recently spoke with Nwaka Onwusa at the Ohio University Music Summit. Photo courtesy of Emily Votaw

Emily Votaw is not a typical part-time graduate student. Sure, she goes to classes, writes her thesis, and has a TA position, but she was also given the opportunity to speak at the Ohio University Music Industry Summit with Nwaka Onwusa. Being a part of the summit has been a long time in the making for Votaw, who started her journalism career when she was just 17 years old. She studied journalism at Ohio University after she graduated high school, but she always kept her schedule open for freelance jobs that involved music. Those freelance jobs allowed her to write constantly, honing her craft while working full time as a community journalist.

Votaw credits her experiences in community journalism with her ability to do this year’s summit. “My past in community journalism … really helped embed me in the music culture of this region … and those small newspaper jobs were more important than I realized at the time,” she says. Votaw also says that she was not always as forward and confident as she is today, but that her time with OHIO organizations like the All-Campus Radio Network and WOUB taught her to trust herself and to always be sincere in her work. “Do your research beforehand but also rely on your spontaneous self and try to trust yourself,” she says.

Votaw says that her work with her academic advisor and professor, Edmund Ashworth, also helped her gain confidence for her conversation with Onwusa. “Working with (Eddie) … has allowed me to realize that I might not know everything, but my perspective on music is certainly well-founded enough to allow me to be vocal and confident about it,” says Votaw. That revelation was very helpful for her when speaking with Onwusa because Votaw can now acknowledge that she has worked hard to get where she is today.

The other person that Votaw credits with helping her to become a part of the summit is Josh Antonuccio. “I’m very grateful for the working connection I have with Josh because he’s such an amazing person in the music community around here, as well as the academic community,” says Votaw. Antonuccio had asked Votaw to speak at last year’s summit, but

unfortunately the event was cancelled due to COVID-19. “It was a bummer … so now I’m really glad that I got a second chance to be a part of it,” recalls Votaw, smiling.

Votaw knows that having a virtual summit is not nearly the same as having one in person, but she was still very excited to speak with Onwusa. Votaw has great respect Onwusa and it is easy to understand why: “She’s super accomplished; she’s worked at the Grammy Museum and now she’s in the major position at the Rock and Roll Hall of Fame … she’s just such an amazing person and she’s done so many cool things,” says Votaw.

Votaw was aware of Onwusa prior to the summit because of the work Onwusa had done with Chuck Stewart. Stewart was a graduate of Ohio University and a photographer, and Votaw believes that Stewart’s name is relatively unknown due to racism in the music and photography industries, so she was very happy to see Onwusa put Stewart’s work in the Rock & Roll Hall of Fame. Unfortunately, Stewart passed away in 2017, but his work is now associated with the Rock & Roll Hall of Fame, so Stewart is finally getting the recognition that Votaw thinks he deserves.

Aside from Chuck Stewart, some of the other topics that Votaw and Onwusa discussed included Onwusa’s curatorial philosophy, this year’s nominees for the Rock and Roll Hall of Fame induction, and, of course, how to preserve rock music. Votaw hopes that young women especially get something out of her session with Onwusa, because Votaw thinks that Onwusa made some great points about the struggles of being a woman in the music industry.

Not one to be defined solely by the Music Industry Summit, Votaw has more great plans to work on now that the summit has ended. She plans to complete her thesis hours this summer and she is also working on getting a story about Chuck Stewart nationally syndicated through the American non-profit organization, National Public Radio. She also has a few long-term projects on standby, but Votaw says that those will have to wait until the pandemic is over. However, with no plans to leave her job at WOUB anytime soon, Votaw is certain that all her plans will work out.

Votaw’s advice for people who are interested in working in the music industry is something that she took from Laurie Anderson many years ago. “First, don’t be afraid of anyone. Try to imagine a life where you are not afraid of anybody … Second, develop your intuition to understand when people are being sincere … It is important to know when people are pulling your leg, especially in a professional setting, and you must know how serious they are about the profession you are in … Third, be sincere. Sincerity always comes across well,” says Votaw. It is no wonder Votaw is so successful this early on in her career with advice like that. She also added her own fourth part in which she stresses the importance of pin-pointing a person’s dream job and then learning everything possible about that profession.

“Music journalism was certainly something that I never thought would be my actual career,” says Votaw, but here she is, finding her niche in the Athens music scene and continuing to work on her career. With her husband and her two dogs at her side, it seems like nothing can stop Votaw, not even a global pandemic. She has created a name for herself and could very well be the next Bob Boilen (without the hat, of course).

Review: Nothing, Nowhere’s Newly Released “Trauma Factory” Has Got Me Cryin’ In The Club

by Madeline Thomas

Being in college has opened up my world to a whole new world of music, and most recently I was introduced to an artist named Nothing, Nowhere. A good friend of mine asked me to sit with her and listen to the livestreamed release of his new album “Trauma Factory” that came out on February 18th and I am officially OBSESSED. This man did not have to go as hard as he did on his new album, but he really did that sh*t. If you’re looking for some new music to vibe to, then this album is for you. It’s got everything- sexy songs, sad songs, angry songs, and even an attention-grabbing introduction track, so there’s really no good reason not to listen to it.

Listening to Trauma Factory is like listening to poetry… except that the poet knows all of the bad things that have ever happened to you… and then that poet also decided to write an entire freaking album about it. It’ll make you laugh; it’ll make you cry; and it’ll probably make you want to drive up to Vermont and live in a treehouse while working through all of your ~issues~. With 15 tracks to listen to, there is definitely a song for everyone, even for your most basic or pretentious of music friends. The album is available on most streaming platforms (Pandora, Spotify, Apple Music, Amazon Music, YouTube, and more) so accessibility and sharing shouldn’t be an issue.

I’m honestly so happy that my friend asked me to listen to Trauma Factory with her, otherwise I might have never found such an amazing artist. However, if you’ve listened to a few tracks from the album and decided that it’s not your cup of tea, I would highly recommend checking out one of Nothing, Nowhere’s earlier albums because they each have a very distinct sound. I’ve found that his older music appeals more to people who aren’t fans of his newer work, so give it a shot before you make a snap decision about his music. I know you’re probably not doing anything important right now anyways, so do yourself a favor and look up those tunes!

Is this article extremely biased? Hell, yes. However, I think it’s fair to give someone credit when credit is due, and in this case, there is an extra-large amount of credit due to Joseph Edward Mulherin. The lyrics are beautifully written and raw, which is something that I think can ultimately make or break a song, and Joseph’s delivery of them is just so dang beautiful. It’s like he’s trying to bare his soul while simultaneously peering into the hearts of his listeners. Maybe it’s witchcraft, maybe he made a deal with the Devil, or maybe I’m just a sad college student who needed a new way to bring myself some serotonin, but whatever it is I just cannot stop listening to this album and I don’t see myself stopping in the foreseeable future.

Review: Why Abigail Barlow is a Certified Badass

by Madeline Thomas

Unless you’ve been living under a rock for the past three months, I’m sure you’ve heard of the new Netflix show, Bridgerton (if you haven’t seen the show yet then don’t even bother reading the rest of this article until you’ve watched the first season). And, if you’re on TikTok, then I’m sure you’ve seen videos of Barlow and her creative partner, Emily Bear, creating “Bridgerton the Musical”. This amazing recreation of the show has taken TikTok by storm and it continues to do so as Barlow and Bear release more songs and other content.

The truly unique feature of this musical comes from how fans are able to share their input with the creators. Barlow routinely goes live on TikTok to work on the tracks with Bear, and together they brainstorm with fans to see what works and what doesn’t. Not many creators take the time and initiative to do that, so this has certainly become a one-of-a-kind musical. Sure, Ratatouille the Musical came from TikTok too, but many creators collaborated on that show, while “Bridgerton the Musical” is solely being created by Barlow and Bear. Their unique perspectives will bring a new light to Bridgerton that fans will be able to lay eyes on long before the show has been completed.

Of course, Barlow isn’t just a Bridgerton fanatic. She is also a vocalist who has released not one, but two songs since the beginning of 2021 and in my (completely unprofessional) opinion they are AMAZING. Do yourself a favor and go stream “Ragdoll” and “Future Ex” right now,… don’t worry, I’ll wait.

Alright, good, now that you’ve heard the vocals of an angel it’s time to explain why Abigail Barlow should be your #wmw (is that even still a thing) for the rest of time. Aside from the fact that she is insanely funny, a great dancer, and extremely connected with her fanbase, Barlow has also been releasing music since 2017. Now with the huge amount of coverage that her musical adaption of Bridgerton is bringing in, Barlow’s songs are finally starting to get the exposure that they deserve.

Barlow’s songs from 2020 are proof that, even in quarantine, creativity can thrive. Her music from last year explores love, loss, substance abuse, and self-esteem, all of which are highly relatable topics. Those eight songs could probably get you through just about anything, and there’s no better time to test out that theory than right now since we’re all stuck at home. We both know you need to stop doom-scrolling anyways, so go give her music a chance.

Keep an eye out for more content from Barlow, Bridgerton or otherwise, as she continues to thrive in 2021. At the very least I bet she’ll finally give you the inspiration that you need to go make yourself a real dinner or re-binge Bridgerton since her songs are just that powerful.

Ren McConville Q+A

by Maire Simpson, Vice President + Editor

Last September, WIMI was honored to host our first in person mentor session of the semester with the incredible Ren McConville. They were in town for the production and set up of the Lost Lands Music Festival because their job is just that cool. As an Ohio University alumni, they were eager to speak to us about their diverse involvement in most aspects of the music industry.

Ren loved OU and in their own words: “It was the tits.” They started off as a music production major and were incredibly interested in what the music world had to offer. Feeling trapped in the mechanics of school and small town Athens, they took it upon themselves to explore and find ways to involve themself. Ren attended the Bonnaroo Music Festival and decided to take the jump and become an intern with the company, AC Entertainment. During their internship, Ren learned about the true physical labor and intensity that goes into the activations and installations that are involved with music festival production and just loved it. That experience alone opened up so many doors to incredible opportunities to travel while attending school. Ren found a job at the famous Red Rocks Amphitheatre with help from her professors here at OU. They made the decision to fly out to Colorado and asked the manager to go get coffee. Ren preached to us the importance of passion and pushed us to take those steps out of our comfort zone. They got the job and a few weeks later, after graduating ahead of time, flew out to Colorado.

After leaving the Red Rocks, Ren accidentally moved to Nashville. Their lack of a job pushed them to get back into the festival circuit where they learned how taxing and toxic the work relationships can get. From this, Ren shared their most important advice: “everyone in this industry wants to do it and everyone wants to do it better….Every work environment, there are people who create competition, it can become toxic; but if you surrender to the idea of working together, then you can create amazing things. Nothing is more important than compassion.” Ren found that working together and putting heads together with a “LET’S FIND A WAY TO DO IT” attitude has been the foundation of the most fulfilling and incredible projects. Some of these projects include most of the major festivals around the country such as Coachella, Bonnaroo, and even the Sundance Film Festival.

When they are not working the festival circuit, Ren and other members of the LGBTQ+ community in Nashville have put together a music and dance space called Bitchfitnashville where women and other underrepresented communities can come together and celebrate their sexuality, bodies and gender identity through music. Ren left us with one final piece of advice as young women and non-binary folk who are aspiring music industry professionals: SAY YES TO EVERYTHING! We are thankful for this incredible opportunity to talk with such a bobcat badass.

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